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Federico Maria Sardelli (born 1963) is an Italian conductor, historicist composer, musicologist, flautist, comics artist and satirist. He founded the medieval ensemble Modo Antiquo in 1984. In 1987 he founded the baroque orchestra Modo Antiquo. The orchestra made its debut with the first performance in modern times of Jean-Baptiste Lully's ''Ballet des Saisons''.〔"E sull'acqua scivola un barcone carico di note", Il Tirreno, 14 July 1987〕 He is the main conductor of the Accademia Barocca di S. Cecilia (Rome) and guest conductor of the Orchestra Filarmonica di Torino, Maggio Musicale Fiorentino, Orquestra de la Comunitat Valenciana, Gewandhaus Leipzig, Staatskapelle Halle, Kammerakademie Potsdam, Moscow State Chamber Orchestra, etc. He has recorded more than forty Albums as soloist and conductor, published by the labels Naïve, Deutsche Grammophon, Sony, Brilliant, Tactus. A notable protagonist in the Vivaldi renaissance, he performed, recorded and edited a large number of Vivaldi compositions, often in world premiere (''Arsilda, regina di Ponto'', ''Orlando Furioso'', ''Tito Manlio'', ''Motezuma'', ''L'Atenaide'', etc.). He has been nominated twice for the Grammy Award (1997 and 2000)〔Los Angeles Times, ("The Complete List of Nominees" ), January 08, 1997〕 and on November 28, 2009 the Government of Tuscany awarded Sardelli with the Gonfalone d'Argento,〔("Festa Toscana, Nencini consegna nove Gonfaloni d'argento del Consiglio Regionale" ), Adnkronos, 28 November 2009〕 the highest medal of honour of the Regione Toscana. He is a member of the Scientific Board of the Istituto Italiano Antonio Vivaldi, at the Fondazione Giorgio Cini in Venice, for which he has published several essays and monographs, among them "Vivaldi's Music for Flute and Recorder", Ashgate Publishing, 2007, in the translation of Michael Talbot.〔Jane Bowers, ("Vivaldi's Music for Flute and Recorder by Federico Sardelli" ), Performance Practice Review, vol. 13, No 1.〕 In July 2007 Peter Ryom appointed him as his heir to continue his monumental work of cataloging the music of Antonio Vivaldi, and since then Federico Maria is responsible for the Ryom-Verzeichnis (RV).〔Peter Ryom: ("La situation actuelle de la musicologie vivaldienne" ), proceedings of the conference "Vivaldi, passato e futuro", Venice, Fondazione G. Cini, 13-16 June 2007.〕 In December 2014 he and Francisco Javier Lupiáñez Ruiz, a Spanish violinist on a Master’s programme at the Royal Conservatory of Music at The Hague, independently identified the earliest known work of Vivaldi, which he has catalogued as RV 820.〔Prof. Michael Talbot: "(), Michael Talbot, "On the Cusps of Stylistic Change: Vivaldi’s Sonata RV 820 for Violin, Cello and Continuo and its Seventeenth-Century Roots"〕 In 2015 he published his first novel "L'affare Vivaldi",〔(Leonetta Bentivoglio: "Il giallo Vivaldi e le carte sparite" ), La Repubblica, 16 April 2015〕 (Sellerio), a historical investigation into the disappearance of Vivaldi's manuscripts. In addition to his musical activities, Sardelli is also a painter, engraver and satirical writer. ==Books and Essays== *''L'affare Vivaldi'', Sellerio, Palermo, 2015. *''Catalogo delle concordanze musicali vivaldiane'', Fondazione G. Cini, Istituto Italiano Antonio Vivaldi, «Quaderni vivaldiani», XVI, Firenze, Olschki, 2009. *''Vivaldi’s Music for Flute and Recorder'', Aldershot, Ashgate, 2007, 316 pp., translated by Michael Talbot. *''Dall'esterno all'interno: criteri di autenticità e catalogazione'', «Studi vivaldiani», 7, Firenze, S.P.E.S., 2007. *''Una nuova sonata per flauto dritto di Vivaldi'', «Studi vivaldiani», 6, Firenze, S.P.E.S., 2006, pp. 41–51. *''Le opere giovanili di Antonio Vivaldi'', «Studi vivaldiani», 5, Firenze, S.P.E.S., 2005, pp. 45–78. *''Il flauto nell'Italia del primo Settecento'', «Ad Parnassum», vol. 2, Issue 3, April 2004, pp. 104–152. *''Un nuovo ritratto di Antonio Vivaldi'', «Studi vivaldiani», 2, Firenze, S.P.E.S., 2002, pp. 107–114. *''Vivaldi a Ulm negli acquisti di Johann Kleinknecht'', «Studi vivaldiani», 2, Firenze, S.P.E.S., 2002, pp. 99–106. *''La musica per flauto di Antonio Vivaldi'', Fondazione G. Cini, Istituto Italiano Antonio Vivaldi, «Quaderni vivaldiani», XI, Firenze, Olschki, 2001, 250 pp. *''Ciuffi rossi ed altri dettagli. Per una riconsiderazione dell’iconografia vivaldiana'', «Informazioni e studi vivaldiani», 15, Milano, Ricordi, 1994, pp. 103–113. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Federico Maria Sardelli」の詳細全文を読む スポンサード リンク
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